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Author Archives: Corinna Kirsch
Process and art—the two are unavoidably interwined in instances that show traces of the artist and the time it took him or her to complete a lengthy and nuanced project—think about Eva Hesse’s willowy and bent fiberglass sculptures that now … Continue reading
As this summer’s current heat wave descends upon my city and bears down upon my pale shoulders, I think about how I wish I didn’t need to wear any clothes at all when I go outside. If only I were … Continue reading
“In other words, the very fact of incessant ‘rewriting of the past’ attests to the presence of a certain gap, to the efficacy of a certain traumatic, foreign kernel that the system is trying to reintegrate ‘after the fact.’”
Joanna Newsom’s February 2010 release on Drag City Records, Have One on Me, is no longer new news, but given the length of the album—its 18 tracks clock in at two hours—it requires a long, simmering listen. The album’s widespread … Continue reading
Excerpts from exhibition reviews of the Soap Factory and Midway Contemporary Art in the May/June 2010 issue of ART PAPERS (At the time, I must have been preoccupied with fragility, performance, and fantasy.): Language feels awkward, an ill-formed means of transcendence … Continue reading